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Magic Mike's Last Dance
Mike Lane takes to the stage again after a lengthy hiatus, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. For what he hopes will be one last hurrah, Mike heads to London with a wealthy socialite who lures him with an offer he can’t refuse… and an agenda all her own. With everything on the line, once Mike discovers what she truly has in mind, will he—and the roster of hot new dancers he’ll have to whip into shape—be able to pull it off?
Year: 2023
Studio: Warner Bros. Pictures, Nick Wechsler Productions, Free Association
Director: Steven Soderbergh
Cast: Channing Tatum, Salma Hayek Pinault, Ayub Khan-Din, Jemelia George, Juliette Motamed, Ethan Lawrence
Crew: Steven Soderbergh (Director of Photography), Steven Soderbergh (Editor), Thurman Martin III (Visual Effects Producer), Pat Campbell (Production Design), Sam Stokes (Supervising Art Director), Kira Kemble (Art Direction)
Runtime: 112 minutes
Release: Feb 09, 2023
IMDb: 6.62/10 by 458 users
Popularity: 27
Country: United States of America
Language: Español, English, Português
Budget: 45,000,000
Revenue: 52,000,000
Keyword : london, england, sequel, dancehall girl, male stripper, bar dancer, dancefilm, abusive relationship
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"Mike Lane" (Channing Tatum) is now reduced to tending bar at exclusive functions when he encounters the wealthy "Max" (Salma Hayek). She offers him $6k for a private dance, and this moves her world sufficiently for her to take him to London with an unique offer that shocks her estranged husband, their adopted daughter (and the narrator) "Zadie" (Jemelia George) and amuses her rather sceptical factotum "Victor" (Ayub Khan-Din). What's wrong with this film, though, is that it attempts to inflict a plot on what has been essentially, up to now, a series of (very) soft porn dance routines that allow those of us to relish some fit young blokes parading their abs and asses whilst giving us a good old dose of raunch! This offers very little of that, even at the end - and as such the thing struggles to engage. There are the odd moments that raise a smile, but Hayek overacts dreadfully and Tatum spends too much of his time standing around with his hands in his pockets as both deliver a rather strained and contrived dialogue. Simply, not enough happens on stage here and, well, let's hope it is, indeed, his last dance - this is poor, sorry.