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The Strange Ones
Elisabeth and her brother Paul live isolated from much of the world after Paul is injured in a snowball fight. As a coping mechanism, the two conjure up a hermetic dream of their own making. Their relationship, however, isn't exactly wholesome. Jealousy and a malevolent undercurrent intrude on their fantasy when Elisabeth invites the strange Agathe to stay with them -- and Paul is immediately attracted to her.
Year: 1950
Genre: Drama
Studio: Melville Productions
Director: Jean-Pierre Melville
Cast: Nicole Stéphane, Edouard Dermithe, Renée Cosima, Jacques Bernard, Jean Cocteau, Melvyn Martin
Crew: Jean Cocteau (Novel), Jean-Pierre Melville (Director), Jean-Pierre Melville (Writer), Jean-Pierre Melville (Producer), Christian Dior (Costume Design), Jean-Pierre Melville (Production Design)
Runtime: 107 minutes
Release: Mar 29, 1950
IMDb: 6.60/10 by 103 users
Popularity: 9
Country: France
Language: English, Français
Budget: 0
Revenue: 0
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"Paul" (Edouard Dermithe) is a young man who comes off rather badly after a snowball fight; one finds it's mark necessitating a visit from their doctor who advises bedrest - on a pretty permanent basis! He is to be looked after by his sister "Elisabeth" (Nicole Stéphane) with whom he shares a room. What now ensues is a hybrid of the sibling and the marital as their love to hate to love relationship, bordering on the incestuous (but never actually more than bordering) evolves. Both characters are handsome to look at, there are undercurrents of homosexuality and depravity - moral, certainly, physical less so - but I have to say I found the whole thing just a bit on the sterile side. It's not that their relationship together, nor with the rather unattractive "Dargelos" (Renée Cosima) needed any sort of visual consummation - it doesn't; but there is little if any chemistry to raise this above a rather statically, though beatifically crafted, story of people who can't live with, or without, each other. i am certainly no expert on Cocteau on Melville, but I ought not to have to be - this film should be able to stand it's own merits, and for me it is just a rather extended, unremarkable family squabble, with occasionally pithy but all to frequently petulant dialogue that 70 years after lacks any real potency.